國立高雄師範大學 100  學年度教學綱要 

 

科目名稱：藝術社會學研究  Seminar on Sociology of Art□必修   ■選修

教師：黃孫權              

任課班級：美術研究所

每學期開課學分數：上學期    學分     下學期  3   學分

總學分數：  3   學分   每週上課時數：  3   小時

連繫電話： 07 7172930 ex 3033          辦公地點：            辦公時間（Office hour）：

  

一、教學目標：此課程旨在以社會學以及現代批判理論等觀點重新檢視藝術之生產方式。是藝術學論文研究與寫作的研究方法訓練之一。採取精讀經典文獻，每位同學每週皆須認真研讀指定文獻

二、教材內容：文獻、影像

三、實施方法：講授與討論（seminar）

四、評量方式：平時課堂參與60％，期末報告40%。修課同學每週每人都必須閱讀必讀文獻，繳交一篇心得，並由指定的同學負責課堂導讀。期末繳交研究論文式報告一篇（12,000字以上）。

五、主要讀本及參考書目：

詳見課程安排與閱讀資料

  

Week 1,  2/21  Introduction Week 2, 2/28 Art Fild Week 3.4.5,  Arnold Hauser： The Sociology of Art. Week 6,  3/27  Modern(ist/ism) Week 7,  4/3 Critical Approach：Marxism Week 8,  4/10  Critical Approach： Walter Benjamin Week 9,  4/17 Critical Approach：Foucault Week 10 ,  4/24 Critical Approach:  Barthes Week 11,12,13    Critical Visual Approach : Bakhtin on Carnival    Week 14, 5/22  Critical Visual Approach ：John Berger Week 15, 5/29  Interpretation and Reception Theory Week 16 ,17  6/5,6/12 The Rules of Art Week 18  期末報告於 7/3 繳交

 

Week 1,  2/21  Introduction

 

References

Victoria D. Aleander, 《藝術社會學》。江蘇美術出版社

Hans Abbing (2008)《為什麼藝術家那麼窮？》台北：今藝術（第三章、第六章）

 

Week 2, 2/28 Art Fild

Required

Sarah Thornton (2009) Seven Days in the Art World. W. W. Norton & Company（有中譯）(馬月亮)  (week1吳慈妤)  （Tomma Abts訪談。可參考）

Week 3.4.5,  Arnold Hauser： The Sociology of Art.

 

Required

 

Arnold Hauser（1982） The Sociology of Art. Trans by Kenneth J. Northcott. London: Routledge&Kegan Paul. (有部分中譯，居延安譯藝術社會學，台北：雅典文庫)

 

3/6

#1 totality of life and the totality of art   pp3-17(異宸)(3/23玄文)

#5 art as a product of societypp94-307(翻譯)  (3/6弘達) (0308江璞) (0308吳慈妤) WEEK 3 怡琪 WEEK 3 偉真

 

3/13

#6 society as the product of art pp308-330(0315鄭靜怡_報告)

#12 address and discussion pp429-439(鈺晶)

#13 the Consumers of Art pp440-446 

(0315江璞) (0315陳弘達)     (0315吳慈妤)       (3/23玄文)  (3/30星佑

(0315婉青)

3/20

#16 art  criticism pp471-488(異宸~)

# 17 institutions of mediation pp489-505 (立翔

# 18 the art trade pp506-517 (~偉真)

(0322江璞)  (0322吳慈妤) week 5 怡琪 (0322陳弘達) 黃鈺晶心得

 Recommended 

 

Arnold Hauser（1951） The Social History of Art. Volum I, II, III London:Rutledge

 

Week 6,  3/27  Modern(ist/ism)

 

Required  

(Paul Wood文章中譯１。可參考)        (Paul Wood中譯２。可參考)

Paul Wood,  Modernism and the idea of the Avant-Garde.in A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002. Pp215-228( ~偉真~ )

 

Fred Orton, On the Intention of Modern(ist) of Art ,in  A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002. Pp229-243(~江璞~)

 

Nikolaus Pevsner (1986) Theories of Art from Morris to Gropius.  Pioneers of Modern Design. Penguin Books. Pp19-39.(立翔+弘達)

 

Week 7,  4/3 Critical Approach：Marxism

 

Required  

 

David Craven, Marxism and Critical Art History. InA Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002 pp267-285( 弘達 )

 

T. J. Clark (1973) , On On the Social History of Art, in Image of the People: Gustave Courbet and the 1848 Revolution. New York Graphic Society. Pp9-20 ( 江 璞 )

 

 Recommended

 

 Nicos Hadjinicolaou（1973）, Art History and Class Struggle，Pluto Press

 

Thorstein Veblen (2007), 《有閒階級論》，台北：左岸冠彰

 

 Ales Eriavec等《後現代主義的鐮刀：晚期社會主義的藝術文化》，台北；今藝術（第一章中國部份）

 

毛澤東〈延安文藝營的談話〉http://big5.xinhuanet.com/gate/big5/news.xinhuanet.com/ziliao/2004-06/24/content_1545090.htm.  

 

魯迅〈文藝與政治的歧途〉http://www.tianyabook.com/LUXUN/jwj/43.htm 

 

Week 8,  4/10  Critical Approach： Walter Benjamin

 

Required  

 

Howard Caygill, Walter Benjamin and Art Theory, in A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002 pp286-291( Ching )

 

Water Benjamin (1978),“The Author as Producer”in Reflections. Edited by Peter Demetz. Harcourt Brace Jovanovich, INC. pp220-238 (有中譯) (怡琪)

 

Recommended

 

Hannah Arendt (1968) Walter Benjamin 1892-1940. In Men in Dark Times. New York : Harcourt Brance & Company. pp153-206. (有中譯)

 

 

Week 9,  4/17 Critical Approach：Foucault

 

Required  

 

Roy Boyne, Foucault and Art, in A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002  pp.337-348.(婉青)

 

Foucault, M. 1977. ‘Panopticism’ in Discipline and Punishment. London: Penguin.（有中譯本）.(婉青)

（4/26吳慈妤）

Recommended

 

Foucault. 1973. Birth of the Clinic: An archaeology of Medical Perception. Preface and  pp.3-219(有中譯本）

 

Stacey, Jackie. Teratologies: A Cultural Study of Cancer. London: Routledge, 1997.

 

 

Week 10 ,  4/24 Critical Approach:  Barthes

 

Required  

 

Margaret Iversen, Barthes on Art, in A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002. Pp327-336.(星佑)

 

Roland Barhtes (1977) Inaugural Lecture. In Susan Sontag ed, A Barthes Reader. New York: Hill and Wang,1982.(安妮) 

(5/3慈妤)

Recommended

 

Barthes, R. (1981). Camera Lucida. Trans. By Howard, Richard. Hill and Wang.(有中譯本）

Rhetoric of the image. pp33-40 inVisual Methodologies: An Introduction to the Interpretation of Visual Materials. Open University (中譯本：《視覺研究導論》）

 

Myth today. pp.51-58, in Visual Methodologies: An Introduction to the Interpretation of Visual Materials. Open University (中譯本：《視覺研究導論》）

 

 

Week 11,12,13    Critical Visual Approach : Bakhtin on Carnival   

 

Required  

 

4/30

Deborah F, Haynes. Bakhtin and the Visual Arts.  In A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002  pp.292-302.(星佑+怡琪)

M. M. Bakhtin。李兆林、夏忠憲譯(1998)。《巴赫金全集，第六卷－拉伯雷的創作與中世紀和文藝復興時期的民間文化》。中國：河北教育出版社。

＃導論、第一章.(星佑)

(5/10慈妤)

5/5

第二章、第三章、第四章.(星佑)

（５／１７慈妤）

 5/15

第五章、第六章.(星佑)

 

Week 14, 5/22  Critical Visual Approach ：John Berger

 

Required  

 

John Berger（1990）Way of Seeing, Penguin(有中譯本，陳志梧版，以及遠流吳莉君譯版)  （鈺晶）觀看的方式John Berger 報告大綱

 

John Berger（1993）Sense of a Sight, Vintage; 1st Vintage International Ed edition (有中譯)(慈妤) 觀看的世界PDF導讀

 

Week 15, 5/29  Interpretation and Reception Theory

 

Required  

 

Michael Ann Hally, Reciprocity and Reception Theory, in A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002  pp.448-457.(安妮)          (5/31慈妤)

 

Paul Crowther, Against Curatorial Imperialsim: Meleau-Ponty and the Historciity of Aert, in A Companion to Art Theory. Edited by Paul Smith & Carolyn Wilde.Oxford ; Malden, MA : Blackwell, 2002  pp.477-487.( 偉 真 )

 

 

Week 16 ,17  6/5,6/12 The Rules of Art

 

Required  

 

Pierre Bourdieu (1992) The Rules of Art.Stanford University Press（中譯：《藝術的法則》，北京：中央編譯) (慈妤)　（情感教育簡字版。可參考）

藝術的法則報告大綱-1 藝術的法則報告大綱-2

Recommended 

 

Pierre Bourdieu Bourdieu, Pierre (1996), Photography : A Middle-Brow Art, Stanford : Stanford University, 1990, pp.1-98.

 

Pierre Bourdieu (1997)，〈藝術品味與文化資產〉，收錄於Jeffrey C. Alexander and Steven Seidman 編之《文化社會》，台北：立緒。Pp.259-276

 

Pierre Bourdieu. (1976/1977), Outline of a Theory of Practice, trans by Richard Nice. Cambridge University Press

  

Week 18  期末報告於 7/3 繳交